Connection often feels to me as something ethereal, it evokes an idea of some intangible concept that is talked about in hushed tones in darkened rooms. In reflecting over this week I have considered a number of angles of what connection means to me in rope. Initially my connection is an emotional one, I find myself unequivocally draw into focussing on the minutia of my partner while she is in rope, I connect to the sound of her breath, the twitch of a toe, her hands clasping and checking her sensory inputs. I'm connected with her almost inaudible gasps and whimpers as each rope is place or removed, the subtle shifts of weight in a suspension or the gentle way her hair falls during a transition. But I also connect with myself. As a top rope is a creative outlet for me, I find inspiration from various arts, music, dance, paintings, photography and the ones that invoke an emotional response connect with me and resonate on a deeper level. These inspirations come out in my rope .1/3
MoBights (Community Manager)
Manchester, United Kingdom
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11 Jan 14:39
from the pace at which I tie connecting to the pulsing tempo of music, or the play of light and shadow that reminds me of a blurry photograph scattered on a coffee table, my rope is also a connection to self and an amalgamation of all the things I have experienced to that moment, and the shift that this experience will have on my future. This weekend we were fortunate to attend a Kinbaku Salon, a first for the UK scene as a dedicated event. During the discussion a member of the audience made a comment that really stuck with me. He expressed that while watching the couple tie the rest of the room melted away, almost as if it were just him silently watching them and I realised I often feel the same when watching rope. There's an intimate connection between the observer and the observed, an epoch in time that forever changes us and that connection is something I hear very little about, but it has shaped how Ive approached rope for over 10 years, I've felt inspired, amused 2/3